A Rousing Reprise

Grand Rounds

After a COVID pandemic hiatus, Weill Cornell Medicine’s Music & Medicine Initiative is back in the spotlight.

By Kristin Hanson

Orchestra musicians practicing with conductor leading.

Conductor Adrian Rogers, of the Juilliard School, leads the Weill Cornell Music & Medicine Orchestra.

Early in her Weill Cornell Medicine experience, Annie Wu joined the Music & Medicine Initiative. It allowed her to continue performing on the viola and gave her a chance to interact with patients — something that typically doesn’t happen until later in a student’s studies.

“It’s nice when, as a medical student, you have time after performing to hear a story about a patient’s life,” says Wu, who is now in the third year of her studies. “I’d probably never have had a chance to sit with a patient like that if not for music.”

Supporting medical students was one of the primary motivations for creating the initiative in 2009. Enhancing the patient experience and sharing musical performance with the greater New York City community were others.

During the COVID pandemic, Music & Medicine largely went on hiatus. Over the past two years, though — in part through support from the Weill Cornell Medical College Alumni Association — performances have gradually returned. Most recently, the Weill Cornell Music & Medicine orchestra returned to the stage, punctuating the initiative’s reprise.

Burnout-prevention benefits

Dr. David Shapiro, a clinical professor of psychiatry, founded the initiative after noticing that many prospective medical students he interviewed had extensive backgrounds in music.

“He had the idea to make Weill Cornell Medicine the most musician-friendly medical center in the country,” says Dr. Richard Kogan, clinical professor of psychiatry, who serves as Music & Medicine’s artistic director. The initiative quickly became a valuable expressive outlet for students and staff.  

Burnout is such a problem in the medical community,” Dr. Kogan says. “People being able to practice on their own with their instrument can be healing, but being able to create music with others can be even more profoundly therapeutic.”

Woman playing violin.

Violist Annie Wu, a medical student, rehearses with the orchestra.

“I’d probably never have had a chance to sit with a patient like that if not for music.”

Medical student Annie Wu

Performance as palliative care

Studies have shown that music can advance many goals physicians have for their patients, such as reducing anxiety, alleviating pain and supporting overall health. That’s why regular bedside performances have always been part of the program, Dr. Kogan says.

Kimberly Hong, an inpatient palliative care social worker at NewYork-Presbyterian/Weill Cornell Medical Center, coordinated bedside performances for several years. Performances are scheduled based on musicians’ availability, at families’ request or when health-care teams believe music would benefit patients.

Hospital staff like Hong see firsthand how music helps patients and their caregivers briefly escape from the stress of a hospital stay.

“Many of the patients are curious and want to talk to the students about how they learned to play or how long they’ve been performing,” Hong says. “Those conversations can open up things we wouldn’t have known about those patients, which helps us connect with them better.”

Bedside performances returned shortly after the initial COVID-19 shutdowns, but it wasn’t until spring 2024 that a group of students began reassembling the orchestra.

Wu handled logistics, such as reaching out to musicians, coordinating rehearsals and arranging concert venues. MD-PhD student Molly Monge focused on external affairs and fundraising. Adrian Rogers, a friend of Wu’s and a student in The Juilliard School, served as the orchestra’s conductor and developed its repertoire.

The orchestra staged two concerts in summer 2024 at the Church of the Holy Apostles in Chelsea. “That was really magical,” Monge says. “We were able to put these performances together in just a couple of weeks.” 

Woman posing with flute

Flutist Molly Monge, an MD-PhD student.

“Emerging from COVID, we had a group of students who envisioned all that Music & Medicine could be.”

Dr. Richard Kogan

The dawn of an exciting new chapter

The orchestra’s biggest concert took place in May 2025 at St. Bartholomew’s Church in Midtown, a venue frequented by the original orchestra. Monge estimates that around 700 people attended.

As of summer 2025, the orchestra has grown to more than 80 musicians, most of whom come from the city’s medical community. More broadly, Music & Medicine is planning more performances over the next year than ever before.

Its next performance will be held on Nov. 14 at The Church of Holy Apostles, featuring soloists Alexander Zhao (a fourth-year medical student) and Ph.D. student Hana Burgess. And on Nov. 16, several members of the program — including Wu as a section violist and Dr. Kogan as a piano soloist — will perform with the World Doctors Orchestra on stage at Carnegie Hall.  

“Emerging from COVID, we had a group of students who envisioned all that Music & Medicine could be,” Dr. Kogan says. “Thanks to them, we have the latest and most exciting chapter of this organization.”

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